Posts Tagged ‘Conservation’

Voicing Tri-tantri Veena: Darshanam Workshop, Puna

05.04.12

sDSCN3518Till the moment when a fatal accident on 14th August 2011 claimed this noble, vibrant soul, Dr. Chandrakant Sardeshmukh was moved by thought of bringing music to children, especially in India. He was on his way to attend Independence Day Celebrations at a school he had adopted. He had made Indian Classical Music work in several ways taking it to many far-east countries for the first time. Apart from traditional presentations, he innovated with Japanese artistes, introducing them to galaxy of Indian Raga-s; taught Sitar, traditionally, to young and mature learners and healed many with his music. A child prodigy himself, he realized the importance of recognizing and nurturing talent at an early age.

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Durlabh Raga Prasang: Conserving Complex Content

01.28.12

Idea, practice, appreciation – this is the cycle involved in creation and enjoyment of art. Expression itself holds a great value in the artistic process. Change in external circumstances, in living conditions, have honed human skills and instincts. The aesthetic element manifesting itself through numerous practices had been taken for granted. It was only as we bid adieu to second millennium that need to protect and nurture this spirit was recognized. “Art as Vehicle of Intangible” was therefore chosen as topic worthy of artistic deliberations. Pt. Rajshekhar MansurMadhukali organized annual Omenad Conference on 31st December, 1st January and 2nd January 2011 with performances by various scholar-artistes leaving lasting impression on aficionados of Bhopal. Music lovers, scholars and enthusiasts had travelled from across country to attend conference and concerts during three-day event organized by Madhukali in collaboration with Indira Gandhi Rashtriya Manav Sangrahalaya. Several well-wishers and music-lovers had expressed their desire for organization of another such event and at cities other than Bhopal. In discussing the essence of Indian aesthetics in “Art as Vehicle of Intangible”, it had come out that more opportunities must be created for expression of art in keeping with sensibilities innate in Art, to effect course-correction.

In the domain of Indian Classical Music the urgency for safeguarding of traditional practices needs to be recognized. For it to be vehicle of intangible, Art needs to be regularly displayed. It was recognized that the there are two main areas where safeguarding efforts have to be directed.

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