Posts Tagged ‘2013’

MisraBani TantriCharya–Varanasi

04.26.13

Dr Lalmani Misra 

The first MisraBani TantriCharya is proposed to be organized at Varanasi in October 2013 with collaboration of  cultural organization(s) at local/ national level. Benares Hindu University has kindly offered its facilities for organizing Tantricharya. The event shall be held at Academic Staff College from 12 to 18 and at Faculty of Music and Performing Arts no 19th and 20th October 2013.

 

Dr. Lalmani Misra

Dr. Lalmani Misra, well known as a Vichitra Veena player, had an extraordinary ability for creating music. Spontaneity and perfection defined his music. The following remarkable quotes by prominent artists and members of the musico-academic community would give a brief notion of Dr. Misra’s exemplary creative strength before we proceed to analyze his genius:

"Prof. Misra was the Music Director of Udaya Shankar’s troupe and job amply speaks of his eminence as musician. He contributed some of lively tunes and melodious notes to music performances given in foreign countries which kept the audience spell bound. He gave his performance in almost 150 big towns of America and Europe and was hailed by one and all as a talented artist of the age. Prof. Misra can play on eight instruments with a master’s hand." [News Paper item (Telegraph May 6, 1952) excerpt]

Dr. Misra’s contribution to the music world is that he has written hundreds of compositions for sitar in more than 150 common and uncommon Ragas. Moved by a desire to perfect a system in instrumental music that would be as complete as the vocal tradition, he created a new Gat style, which gradually has come to be known as ‘Misrabani’. It was also referred to as ‘Koot Ki Gat’ owing to the complexity of the Gat. They were so labeled, recalling instances of using such complex rhythmic patterns by earlier musicians in flourishes hailed by the aficionados as Koot ki Taan.

 

MisraBani

DawnVeenThe Misrabani compositions he created are serious compositions in stylistic sense. They clarify that selection of Raga-s influences the minds of musicians.

Under this style he created a new Gatkari in Vilambit Jhoomara Tal, Vilambit Jhap Tal and Madhya-laya Ada Char Tal. In this new style Dr. Misra introduced Mizrab Bol DA RDA -R DA. Especially, in vilambit pace Da Rda -R Da shows a very different dimension of manifestation.

The oblique movement and complexity of a Raga is considered one of the main reasons for its unpopularity. There are many Raga-s that are extremely melodious and fulfill all the desired norms of Indian classical music (proper consonances with lower and upper tetra-chords) but owing to their complex nature they are rarely played by the instrumentalists. Most of such demanding Raga-s like Basant Bahar, Gandhari, Malhua Kedar, Anand Bhairav, Multani, Kaushik Kanhada, Malgunji, Bageshri Kanhada, Sindoora, Neelambari etc. were played by Dr. Misra.

Workshops have been engaged by Dr. Ragini Trivedi around the country to train Sitarists in this advanced and cerebral style of playing. One may view few excerpts on Youtube channel of Omenadnet.

 

Programme

MisraBani TantriCharya is aimed at young instrumentalists who have received professional training for 5 years or more.

Learners in the group (10 to 15) would be trained by two Misrabani Sitarists under supervision of Dr. Ragini Trivedi, daughter of Sangeetendu Pt. Lalmani Misra, creator of Misrabani string style. Senior-most disciple of Dr. Misra, Dr. Pushpa Basu would give expert guidance.

MisraBani TantriCharya would be hands-on intensive workshop of two four- hour sessions each day for 7 days.

  • Learners would be provided detailed syllabus with Mizrab Bol-s, Alankar-s and Compositions in play-as-you-read digital notation system, Ome Swarlipi.
  • Learners would make their own arrangements for lodging & boarding.
  • Learners would bring their own instruments: Sitar/ Sarod/ Veena/ Santoor.

 

Registration

Interested learner may send in their application forms through email and hard copy.

Email should be sent to ich@madhukali.org with subject; MisraBani TantriCharya attaching filled in application form by 15th August 2013 and scanned image of Demand Draft. The hard copy should be sent to Astha, B-31, Aakriti Garden, Nehru Nagar, Bhopal – 462003 (M.P.) India so as to reach before 31st August 2013.

Registration Fee:

Till 30th June 2013 Rs. 3,000.

Till 31st July 2013 Rs. 4,000.

Till 31st August 2013 Rs. 5,000.

Till 30th September 2013 Rs. 9,000 provided seats are available.

Discount for Students* Rs. 1,000.

 

Sponsorships

A limited number of Sponsorships by disciples of Sangeetendu Pt. Lalmani Misra have been reserved for exceptional learners between 21 to 28 years pursuing regular course in music in college/ UTD, subject to their selection by Madhukali.

Those desirous of Sponsorship should submit a detailed note of recommendation from a teacher of repute. The note should detail particulars of Raga, Tal the candidate can perform flawlessly. Application form & detailed note with Demand Draft of Rupees 1000 only payable to Madhukali at Bhopal should reach Astha, B-31, Aakriti Garden, Nehru Nagar, Bhopal – 462003 (M.P.) India before 15th June 2013. Scanned image of Demand Draft and duly signed note of recommendation, along with application in pdf (Portable Document Format), should be emailed to ich@madhukali.org before 10th June 2013.

*Students of UGC recognized College and University Teaching Departments would have to present current Scholar Identity Card along with recommendation of Head of Department.

Application

Click here to download form.

Resources

Articles on Omenad
Video on Omenadnet
Tweets #Tantricharya    Follow  @madhukali and @omenadnet

Discography

Misrabani Vichitra Veena: heritage aLive Vol. 1 {Published}

Format:  Sound Recording
Year: 2013
Publisher: Misrabani, Philadelphia, 2013
Description 1 audio disc (52 min.) : digital ; 4 3/4 in.

lalmanimisra-884501956475 

Tracklist

Raga Malgunji                             38:50
            Alap, Jod
             Vilambit Jhumra Tal (slow 14 beats)
              Drut Ada CharTal (fast 14 beats)
Raga Bhupali                                  12:50
              Alap
               Kaharwa Tal (8 beats)

A Dawn of Veena: Bairagi  on Vichitra Veena by Dr. Lalmani Misra {more}

Format:  Sound Recording
Year: 2013
Publisher: Madhukali, Bhopal, 2013
Description 1 audio disc (51 min.) : digital ; 4 3/4 in.

Tracklist

Raga Bairagi 
                Alap:  19:33
                   Jod:  10:24
                    Gat:   11:20
Raga Bhairavi
                  Dhun:  05:22 

Celestial Music of Pandit Lalmani Misra: Vichitra Vina  {more at omenad}

Format:  Video
Year: 2006
Publisher: Rohnert Park, CA: Music Dept., Sonoma State University, 2006
Description: 1 video disc (45 min.) : sd., col. ; 4 3/4 in.

Tracklist

Raga Sindura 
           Alap, Vilambit & Drut teental:  31:28
Raga Tilang                                                   10:23
Raga Bhupali                                                 15:31

India: Vicitra Vina : The Music of Pandit Lalmani Misra = Inde : Vicitra Vina : La Musique De Pandit Lalmani Misra    {buy at amazon?}

Format: Sound Recording
Year: 1996
Publisher: France: Auvidis Unesco, 1996
Description: 1 sound disc (62 min.) : digital ; 4 3/4 in.
Tracklist

Raga Kausi Kanhada (Malkauns style)
                                                   Alap
                                                    Jod
                                                    Jhala
                                                    Gat in slow tintal
                                                     Gat in fast tintal

Nectar of the Moon: Vichitra Vina Music of Northern India  {buy at amazon?}

Format: Sound Recording
Year: 1981
Publisher: Los Angeles: Nonesuch, 1981
Description: 1 sound disc : 33 1/3 rpm, stereo. ; 12 in.

Tracklist

A Raga Ananda Bhairava                20:04
B1 Raga Multani                                   12:16
B2 Dhun In Raga Ananda Bhairavi  7:54

Material in possession of Libraries (Worldcat)

Publisher: Los Angeles, Ca. : Ravi Shankar Music Circle, ©1979

Document Type: Sound Recording

All Authors / Contributors: Lalmani Mishra; Chotey Lal

OCLC Number: 11153496

Performer(s): Lal Mani Mishra, vichitra veena ; Chotey Lal, tabla.

Production notes:
"Recorded in concert, Herrick Chapel, Occidental College–3/18/78"– Container.

Description: 1 sound cassette (60:00) : stereo.

Contents:

Basant bahar in Ektal, 12 beats and Teental, 16 beats —
Bhairavi  in Dadra, 6 beats —
Tabla solo Delhi style in Teental, 16 beats.

Chandrakant Sitar endeavor

02.17.13

Continuity of cultural practices often requires aid and support of sympathetic outsiders; yet, it is only in action that it retains longevity. Madhukali has organized concerts, workshops and seminars. Young and mature artistes have been encouraged with award and felicitation. Appreciation modules in various fields – art, music, theatre – introduce the young to aesthetics and creative thought. Dr. Misra proclaimed that existence of an artiste is justified by his art. The only competition he may be allowed is with himself. Yet, as an educator devoted to standardizing of music-teaching, he was tolerant to the idea of healthy competition – the sort that would  encourage a person towards a particular art-form. He  considered it the responsibility of educators involved that while it serves to provide a platform, the competition should not generate materialistic traits and negative emotions of jealousy and rivalry.

During most of his adult age, the boy-wizard of Sitar constantly tried to reach the young talent. Chandrakant’s desire was to identify and encourage musical talent. He would travel to regular schools, institutions for differently-abled and even resorts for senior, so that music played first-hand could relax, heal and inspire the listeners. In memory of his father and Guru, Sardeshmukh Maharaj, he constituted an award for talent-of-the-year. After Chandrakant left for his heavenly abode, his wife Dr. Pooja Sardeshmukh, in consultation with friends, academics and musicians decided to follow a transparent, time-bound system to encourage young musicians taking up Sitar.  The foundation has approached reputed Guru-s, teachers and institutions to motivate their students for Annual Chandrakant Sitar Award. From this year – 23rd February 2013 – a concert Nava Swar too has been planned to provide a platform to talent identified through the award process.

Darshanam, Japan

First Dr. Chandrakant Sardeshmukh Sitar Competition 2013

The First Dr. Chandrakant Sardeshmukh Sitar competition will be held by Darshanam, Japan in Pune in 2013. Details are as below.

l – CONDITIONS

1. The Competition is open to all artists performing on traditional Indian Sitar.
2. And to those who belong to any state of India, with age limits 15-28 as of January 1st 2013.
3. The winner of the past edition is not allowed to compete again. (Not applicable for 2013)
4. Application materials must be received no later than March 15th 2013, and must be sent to: Darshanam c/o Dr. Pooja Sardeshmukh, 203 Amruta Apartments, Ashok Path, Off Law College Road, Erandavane, Pune 411004, email pooja.chandrakant@gmail.com
5. The Competition organization in cooperation with other entities will offer the possibility to organize some concerts for the winner of the Competition.
6. The jury is not obliged to award all the prizes. Their decision is final.
7. All grants and prizes shall be subject to taxes at the statutory rate.
8. The awarded artists must personally collect their prize in the award ceremony separately held, and will play during the Winners Concert without receiving a remuneration. A refusal entails cancellation of the award.
9. For 2013 Competition, there is no entry fee.

ll – APPLICATIONS

1. The following documents must be sent well before March 15th, 2013
a) Photocopy of legal document regarding age and nationality.
b) One passport size photograph, in a digital format, if possible, sent by e-mail.
c) Brief Curriculum Vitae in English.
d) Application form
e) A 20 minute Audio CD recording.
f) Performance also uploaded to You Tube and (not public but selective) URL link sent to Darshanam
g) One passport size photograph of performance mood with instrument.

lll – COMPETITION STAGES -Calendar for 2013

1. The Competition consists of an Eliminatory Round and Final.
a. ELIMINATORY ROUND: Based on the Audio CD recordings, up to 8 finalists will be selected
b. FINAL: A self chosen program lasting no longer than 40 minutes, consisting of pieces of different styles. To be performed in person, in Amruta Apartments, Ashok Path, Off Law College Road, Erandavane, Pune (Residence of Dr. Chandrakant Sardeshmukh)
c. The Final round will be open to public. Capacity of Amruta Apartment is about 30 persons.
d. Felicitation of awardees will take place in Annual Darshanam Awards event in December
2. No work may be repeated.
3. All the works must be performed by heart.
4. CD recordings will be received from the contestants by Darshanam and will not be returned.
5. Preliminary screening of CDs will be conducted by Darshanam Team members.
6. Final round judges will be selected by Darshanam Team members

lV – CALENDAR 2013

1. Jan 01- Mar 15- Receive applications
2. Mar 15-May 30 – Eliminatory round
3. May 30 –June 10 – Final round candidates will be informed by email
4. August 17- 18 Final round will be conducted
5. August 17 Session #1 -Morning session – 10 AM to 12 PM – 4 artists will perform.
6. August 17 Session #2 -Afternoon session from 3 PM to 7 PM, next 4 artists will perform.
7. August 18 – Awards will be declared
8. August 18- finalists workshop will be conducted in Amruta
9. December 28/29 Annual Darshanam Awards event in Pune

V – PRIZES

1. Only one prize will be given as cash award of Rs. 20,000.
2. All finalists will be given certificates by Darshanam

VI – LOCATION

1. Pune City, Maharashtra.

VII – ACCOMMODATION & TRAVEL

1. For artists when they perform in event planned by Darshanam, basic accommodation will be taken care of.
2. Artists will have to bear their own To and Fro travel costs.

Book Release: Commitment to Hindi and Knowledge

02.12.13

Though almost a cardinal principle in itself, the fact voiced over several times during the event, that knowledge is dependent on language became the central Vib2Deltheme of Hindi Medium Implementation Directorate’s book-release function at World Book Fair, New Delhi on Sunday the 10th February 2013. Dr. Asha Gupta, Director, with her able team, released over a dozen books written by independent authors as well as team-writers. The function was presided over by Prof. Keshari Lal Verma and included such dignitaries as Prof. Subhash Chandra Kashyap, Prof. Jagdeesh Chandra Muna, Prof. M.P. Singh and Prof. Ramesh Gautam.

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